{"id":4641,"date":"2021-06-27T16:00:57","date_gmt":"2021-06-27T23:00:57","guid":{"rendered":"https:\/\/ikedabarry.com\/blogK\/?p=4641"},"modified":"2021-11-14T01:05:59","modified_gmt":"2021-11-14T09:05:59","slug":"differance","status":"publish","type":"post","link":"https:\/\/ikedabarry.com\/blogK\/differance\/","title":{"rendered":"Diff\u00e9rance"},"content":{"rendered":"<p>A sculptural painting that reads differently depending on which quality the viewer engages with (surface, colour, edge, line, absence, repetition, shadow, etc).<\/p>\n<p>Continuing my explorations into elemental oppositions. Here is a system of signs with no inherent absolute meaning, but with structural differences that draw meaning from reciprocal determination with other elements. The spaces are necessary absences that vibrate between activity and passivity, animating the full function of the elements. Meaning is created and simultaneously deferred as the infinite potential that makes it necessary, as the unknowable excess beyond our grasp.<\/p>\n<p><em>Diff\u00e9rance <\/em>(2021)<\/p>\n<p>50 x 50 cm<\/p>\n<p>acrylic and polystyrene on panel<\/p>\n<p>The title is taken from Derrida&#8217;s neologism &#8220;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Diff%C3%A9rance\">Diff\u00e9rance<\/a>&#8220;.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-4628\" src=\"https:\/\/ikedabarry.com\/blogK\/wp-content\/uploads\/2021\/06\/2021-Black-Square-001.jpg\" alt=\"\" width=\"600\" height=\"450\" srcset=\"https:\/\/ikedabarry.com\/blogK\/wp-content\/uploads\/2021\/06\/2021-Black-Square-001.jpg 600w, https:\/\/ikedabarry.com\/blogK\/wp-content\/uploads\/2021\/06\/2021-Black-Square-001-300x225.jpg 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-4622\" src=\"https:\/\/ikedabarry.com\/blogK\/wp-content\/uploads\/2021\/06\/2021-Black-Square-003.jpg\" alt=\"\" width=\"600\" height=\"450\" srcset=\"https:\/\/ikedabarry.com\/blogK\/wp-content\/uploads\/2021\/06\/2021-Black-Square-003.jpg 600w, https:\/\/ikedabarry.com\/blogK\/wp-content\/uploads\/2021\/06\/2021-Black-Square-003-300x225.jpg 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-4623\" src=\"https:\/\/ikedabarry.com\/blogK\/wp-content\/uploads\/2021\/06\/2021-Black-Square-002.jpg\" alt=\"\" width=\"600\" height=\"450\" srcset=\"https:\/\/ikedabarry.com\/blogK\/wp-content\/uploads\/2021\/06\/2021-Black-Square-002.jpg 600w, https:\/\/ikedabarry.com\/blogK\/wp-content\/uploads\/2021\/06\/2021-Black-Square-002-300x225.jpg 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-4633\" src=\"https:\/\/ikedabarry.com\/blogK\/wp-content\/uploads\/2021\/06\/2021-Black-Square-007.jpg\" alt=\"\" width=\"600\" height=\"450\" \/><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-4632\" src=\"https:\/\/ikedabarry.com\/blogK\/wp-content\/uploads\/2021\/06\/2021-Black-Square-004.jpg\" alt=\"\" width=\"600\" height=\"450\" \/><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-4631\" src=\"https:\/\/ikedabarry.com\/blogK\/wp-content\/uploads\/2021\/06\/2021-Black-Square-005.jpg\" alt=\"\" width=\"600\" height=\"450\" \/><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-4630\" src=\"https:\/\/ikedabarry.com\/blogK\/wp-content\/uploads\/2021\/06\/2021-Black-Square-006.jpg\" alt=\"\" width=\"600\" height=\"450\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A sculptural painting that reads differently depending on which quality the viewer engages with (surface, colour, edge, line, absence, repetition, shadow, etc). Continuing my explorations into elemental oppositions. Here is a system of signs with no inherent absolute meaning, but with structural differences that draw meaning from reciprocal determination with other elements. The spaces are [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4629,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[10,790,7],"tags":[791,112,784,132,625],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Diff\u00e9rance : Keith Ikeda-Barry<\/title>\n<meta name=\"description\" content=\"A sculptural painting that reads differently depending on which quality the viewer engages with (surface, colour, edge, line, absence, repetition, shadow, etc).\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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