Example 017: Linocut Text
Masking inks to simulate the moody look of linocut printing.
Example 012: Caleb Ketchersid
Ink 001 used as a background.
Example 011: The Inconsistent Jukebox Album Art
Ink 112 used in album cover art.
Example 010: Masked Brushstrokes
Vector illustrations used to mask and colour various inks.
Example 009: Texture for Mood
Here’s a simple illustration made with paths and rough brushes.
Example 008: Textures As Masks
Here’s a bold text-based illustration using some of the wood from Texture 066 to mask in solid layers of cyan and magenta.
Example 007: Double Exposure
Double exposures through portraits.
Example 006: Photoshop Brushes
These Photoshop brushes are made from samples of Ink #127.
Example 005: Susan Hall
Artist Susan Hall used inks, textures and vector art in this digital collage piece.
Example 004: Mateusz Tajsich
Mateusz Tajsich incorporated some inks in this beautiful poster for a Go club.
Example 003
This theatre poster from Ikeda-Barry Creative combines a dry, rolled-ink texture with strong vector shapes for a warm yet dramatic effect.
Example 002
This example uses Ink 029. Two Photoshop layers of colour painted with a large airbrush. Brushstroke inks pasted into layer masks and inverted. Top layer set to Hard Light blend mode.
Ink 029
straight, horizontal and vertical watercolour brushstrokes
Example 001
Keith Ikeda-Barry combined line drawings with dynamic ink splatters, and specific areas of accent colours.
